
Roddy Ricch
911
2025 · PostTribe
The challenge
We joined the production for a set of demanding shots. The hardest were the burning house: fire composited into live plates with correct light, shadows and reflections.
The solution
VFX shots for Roddy Ricch’s “911”: a burning house that had to hold up in every reflection.
Our role
- Matchmove
- Roto
- Cleanup
- Compositing
At a glance
Pipeline
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01
Matchmove & geometry
3DEqualizerNukeEvery shot tracked from scratch in 3DEqualizer and validated in Nuke. Proxy geometry for windows, walls, doors and ceilings let the fire light and touch the set.
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02
Cleanup
NukeAI inpaintingStands, lights, fire references and crew equipment removed with roto, paint and projection, AI inpainting on static areas, then degrain and regrain.
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03
Fire compositing
NukeACESFire footage selected per shot, lit to the on-set HDRI with interactive light on the surroundings, grounded with contact shadows, haze and lens effects.
PlateFinalDrag to compare
